He quotes historian Walter Johnson as saying that "the whole city is a memorial to slavery," and realizes that "it was all right in front of me, even when I didn't know how to look for it." After the statue of Robert E. Lee was taken down in May, 2017, Smith notes that he had become "obsessed with how slavery is remembered and reckoned with," and with "teaching myself all of things I wish someone had taught me long ago." In an interview with Publisher's Weekly, he notes that as he watched the "architecture of [his] childhood coming down," he thought about how"soft earth, in the statues I had walked past daily, the names of the streets I had lived on, the schools I had attended, and the building that had once been nothing more to me than the remnants of colonial architecture."
"these statues were not just statues, but memorialized the lives of slave owners and how history was reflected in different places."
He also states in his book that right now America is at an "inflection point,"
"in which there is a willingness to more fully grapple with the legacy of slavery and how it shaped the world we live in today"
"portrait of a place, but also of the people in that place -- those who live there, work there, and are the descendants of the land and of the families who once lived on it. They are people who have tasked themselves with telling the story of that place outside traditional classrooms and beyond the pages of textbooks."
They are also, as he says, "public historians who carry with them a piece of this country's collective memories," who have "dedicated their lives to sharing this history with others."
Using a wide variety of scholarship discussing the actual history of these locations, personal interviews, as well as his own experiences and insights, he begins this "necessary journey" (as W. Caleb McDaniel calls it in his blurb) to discover how each place has come to address its dark and painful past, or how in some cases they "worked not to have a discussion about slavery." He stops first at Monticello Plantation before moving on to the Whitney Plantation in Wallace, Louisiana where people are "confronted with the reality of slavery." Angola Prison is the next stop, where he discovers that the one thing not on the tour he took was the fact that the prison was built on top of a plantation. In fact, he recalls that after the guide spoke about "Indigenous communities and French exploration of the seventeenth and early eighteenth centuries," he moved directly to post-Civil War America, failing to mention the time that Angola had been a plantation where enslaved black people were responsible for a cotton yield "higher than most other plantations of the South." And while the guide did mention convict leasing, he failed to talk about it as an "explicit tool of economic and racial subjugation." In Virginia, Smith visited the Blandford Cemetery where 30,000 Confederate soldiers found their final resting place, later returning there with a friend for a Memorial Day Sons of Confederate Veterans commemoration ceremony; in Galveston, Texas he celebrates Juneteenth. Then it's up north to New York City where he discovers its "untold history" unraveling all around him, after which he's off to Gorée Island in Senegal, Dakar to the Slave House and Door of No Return, a "place that still holds the ghosts of thousands and remains a symbol for the plight of millions. " That is not his final stop though -- he visits the National Museum of African American History which stirs up the memories of his maternal grandparents who had accompanied him and who will go on to share their stories with him.
As Smith notes at the end of his book, "he history of slavery is the history of the United States." It is neither "peripheral to our founding," nor is it "irrelevant to our contemporary society." It is "in our soil, it is in our policies, and it must, too, be in our memories."
I have become an staunch advocate for this book -- it's one everybody should read, not just for the history within, but also for Clint Smith's writing here, which is not only knowledgeable but truly insightful and inspiring, coming straight from his heart and his soul.
so very very very very highly recommended.